“Lee wasn’t working that day, so he was just lounging. He’s 6’4”, so he’s a lot of boy, and he was wearing cowboy boots. I was kind of staring at him, because he painted such a picture, and the director came over, and I was completely in this land of admiring Lee. And Bharat [Nalluri] goes over and tells him, ‘Can you leave the set? Amy’s distracted by your masculinity.’ I was so mortified. But he’s so much fun, too. He’s got such a zest for life. He’s a really good actor. So that’s my gush about Lee Pace. I hope I’m not blushing.” -Amy Adams, on the set of Miss Pettigrew
(Source: i-pond)
do you think God ever gets sad like “what do you mean you don’t love yourself i worked so hard on you….”
…why is this so uplifting
cause it’s true. =)
fuck
The Janitor was a fixture in my dreams for my entire senior year of high school and he was frequently wearing a sombrero
(Source: aimlessme)
Michele Caragher
Embroidered details in Game of Thrones
‘Michele Carragher is a London-based Hand Embroiderer and Illustrator who has been working in costume on film and television productions for over 15 years. She studied Fashion Design at The London College of Fashion, where the course incorporated design, pattern cutting, garment construction, embroidery, millinery and illustration. At the same time she attended a three year evening course in Saddlery at Cordwainers College learning skills in leatherwork.
After leaving college Michele worked in Textile Conservation, repairing and restoring historical textiles for private collectors and museums, specialising in hand embroidery. She then moved into a career in costume for film and television, initially working as a Costume Assistant/Maker on productions such as the BBC’s Our Mutual Friend, ITV’s David Copperfield and Mansfield Park. She soon gravitated towards the decoration and embellishment of costumes, using skills in hand embroidery and surface decoration, taking inspiration from the many historical textiles she had encountered working as a Textile Conservator.
The first production that saw her undertake the role of a Principal Costume Embroiderer was for HBO’s 2005 Emmy Costume award-winning production of Elizabeth 1. Her most recent work has been on HBO’s 2012 Costume award-winning television series Game of Thrones, working on all three seasons.
As a Costume Embroiderer Michele specialises in hand embroidery and surface embellishment, using traditional hand embroidery techniques, smocking, beading and surface decoration. She works directly onto the completed garment or starts with motifs and textures on silk crepeline/organza, which are applied to the costume and then worked into once on the actual garment. She also works on existing machine embroidery designs that are not too dense, adding some hand stitching and beading to give a more authentic, hand-finished look.
Michele finds hand embroidery has more flexibility and diversity than that of embroidery created by machine, as there is a greater variety of thread choice and colours to use. It is also possible to work more easily on garments that are already constructed. However, machine embroidery in combination with hand work can be very useful when completing many repeats by creating light outlines or a less dense machine stitch, work can then be completed by hand and again can be carried out on a finished garment.
Michele is a highly creative Costume Embroiderer, producing original designs as well as working closely to a costume designer’s brief to create their desired look.’
Text and images from http://www.michelecarragherembroidery.com
God, that embroidery is so gorgeous! I had no idea that third dress was so detailed after seeing it on the show… Amazing work.
here we have a picture of a majestic national treasure and the Washington Monument
(Source: spacehamsters)
my mom was pulling into a parking space today and she asked “am i relatively straight?” and i said “i think that’s something you need to decide for yourself” and she told me to walk home
